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Yesterday I was blessed with the opportunity to watch 5.16, "Dark Side of the Moon," on TNT. The scene near the end, where the angel Joshua tells the Winchesters that God knows what's going on and isn't going to do anything and wants them to stop bugging him… well, it hits harder in light of what we learn about Chuck at the end of s14, doesn't it? At the time I thought Joshua was describing a God-the-clockmaker role, a God who just wanted to let his creation run on its own. But now we know that Chuck wasn't just declining to fix things for the Winchesters. He was actively setting them up and enjoying the drama. And yes, I'm sure the writers weren't thinking about how things would play out nine seasons later when they wrote that scene. It's just nice that the Continuity Fairy gave us this unintentional gift.

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Other amazing things about this episode include: Dean having to watch Sam get shot, "I Wuv Hugz," Sam's kicked-puppy face, and "I'm dead"/"Condolences."

Another thing that struck me was how hard Pamela tried to get Dean to accept that if he let Michael use him as a vessel, the inevitable deaths of thousands (millions?) of people wasn't anything to be concerned about.

I know that Michael wants to take you out for a test drive… {snip} What happens if you play ball with them? Worst case.

A lot of people die.

And then they come here. Is that really so bad? Look. Maybe… you don't have to fight it so hard. That's all I'm trying to say.


And immediately after that conversation, Ash finds a "short cut to the Garden" that, oddly enough, opens right into the old Lawrence house where they'll be caught by Zachariah.

So I wondered why we ever thought any of this was real. Why we didn't all decide Pamela and Ash were both fabrications created by Zachariah. And then I realized that I had already come to this conclusion, and had ficced it. But where? It's not on my LJ anywhere. I think I posted it in the comments to someone else's post. Probably [livejournal.com profile] kalliel; I think she's the only one whose comments I abused in that particular manner. But I found it in my files, and I present it to you now. I don't know when I wrote it, but I see it was probably right after we met Joshua 2.0 in s14. Apparently it was in response to some discussion about Sam and Dean being soulmates with a shared Heaven:

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14.06 Coda

Nov. 18th, 2018 09:25 am
caranfindel: (Default)
I wanted to see Sam's and Dean's different versions of Jack getting The Talk, and [livejournal.com profile] z_publicizes suggested this scenario needed Cas and Rowena, with intercut scenes between them all, and now it's all I can think about.

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Yeah, I know, I should be giving you an episode poll. I'm working on it. (Although, the number of poll voters has gone down every week since 14.01, and I don't know if that's lack of interest in the show or lack of interest in the poll.) But I'm distracted by a couple of thoughts...

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My recap is coming later, but first, two 14.01 codas inspired by Sam's magnificent Beard of Despair. Because this thing deserves its own fandom.

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Episode 13.22, "Exodus," was on last night. I watched it, because duh, I'm only human. I mean, yes, there's some ridiculous unnecessary shit in this episode (AU Cas, I'm looking at you, looking RIGHT AT YOU and doing the thing where I point to my eyes and then your eyes to make sure you know I'm LOOKING AT YOU) but it also has one of my favorite scenes of the season. Maybe one of my favorite scenes of the entire series.

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But what if there weren't any vampires at the door, because we know it wasn't about the vampires, we know Sam would have bared his throat to vampires for all of eternity if that was the way to save the people he loved, what if it was just Sam and Lucifer, and Lucifer telling him either you go with me and let me show Jack that I brought you back out of the goodness of my heart, or I snap my fingers and you're a corpse again, and Sam said I'm not playing your game, so just do it, and Lucifer held his hand up, fingers ready to snap, and then there was a strangled wait from the doorway, a word that sounded like it had been ripped from someone's throat, and Sam turned to see Dean there, Dean who had fought his way through the vampires and was standing there almost as battered and bloody as Sam, Dean who had been standing there long enough to hear the Devil's offer and to hear Sam refuse it, and he said please, Sam, please say yes.

13.21 Codas

May. 4th, 2018 03:57 pm
caranfindel: (Default)
Scenes from the cutting room floor - missing scenes and rewrites for 13.21, "Beat the Devil."

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Yeah, I'm talking about [livejournal.com profile] kalliel again, because she posted this lovely essay about Easter eggs, the little bits of her life that she puts into her fic. And she's had an interesting life and such cool (and very Winchester-eque) travels. I mean, look at everything that she packed into one fic.

Me, on the other hand... I've had a fairly boring life, and very little of it makes its way into anything I write. Y'all do not want to read about Sam and Dean's frustrating trip to Walmart, or their stop at a Hampton Inn that looks exactly like every other Hampton Inn (although, Dean would love the breakfast buffet, particularly the make-your-own waffle station). But every once in a while, something real creeps in.

Of flesh and blood I'm made was inspired by a conversation between a family member and a nurse in the ER.

But I've become what I can't be uses a location I've seen while traveling (the giant double church, although it's not actually in Memphis).

My untitled Nazi car fic came about after I rented a Volkswagen and started wondering what Dean would say about it.

Coda was inspired by my very real inability to deal with a whole raw chicken.

What about you? What sights and/or experiences make their way into your writing?

(And okay, now I have to do it...)
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A coda for 12.15 that answers the question of why Dean no longer seems to be afraid of hellhounds.

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When Mary finally finds her boy he's stumbling through the woods, weak and confused, and convinced that she's been dead for years, which just confirms her worst fears, and the knowledge that Dean spent weeks (weeks that must have lasted decades for him, christ) in the grip of a djinn who fed on his nightmares breaks her heart right in two, but when she realizes the djinn gave him a future where Sam survived the fire, suddenly she's not sure if it fed on his greatest fears or granted his deepest wish, and when she has to wrap herself around six feet of bewildered teenager and explain that no, they cannot go find Sammy, she thinks maybe she's the one with nightmares bleeding out of her veins.
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Sam is on his knees, hands bound behind his back, coughing up his own blood, knowing the face of the MoL's enforcer is the last thing he'll ever see, vision going dark around the edges, when he sees Dean run into the room, face frozen in horror, and somehow Mom is with him, somehow Mom and Dean are together, somehow his last desperate hope actually came true and Billie relented and let his brother into Heaven with their mother, and maybe they're here to meet Sam as he leaves this world, maybe Sam will be allowed to join them and maybe he won't, but it doesn't matter, this is enough, Dean made it to Heaven and Sam got to see him one last time and this is enough, so he struggles to his feet and it hurts, oh god it hurts, but he will not meet death on his knees, not this time, and he smiles before he spits a mouthful of blood at the bastard who twisted the blade into his gut, because this is a good day to die.
caranfindel: (Default)
Two drabbles for 11.04. Two different stories from the POV of two completely different versions of Piper.


who needs tomorrow? )

caranfindel: (Default)
I don’t know if I’ll manage to drabble every episode this season, but here's 100 words about 11.01. This was inspired by [livejournal.com profile] galwithglasses's comment, because we agreed that one thing was kind of weird.


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This started as a challenge from the lovely [livejournal.com profile] kalliel to write tags for each episode of season 10. I decided to write a 100-word drabble for each episode in season 10 (plus a bonus prologue for the end of season 9.) And then I signed up for the [livejournal.com profile] spnspiration bingo challenge, and I ended up with pointillism ("a technique of painting in which small dots are applied in a pattern to form an image") on my bingo card. And I thought that square would forever remain open, given that I'm not actually a visual artist. But then I thought, huh. Drabbles. The small dots of fanfiction. Could a series of dotlike drabbles form an image of an entire season?


Let's find out!
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Part of my challenge to write a 100-word drabble for each episode in season 10. I missed a couple, so I'm catching up on them now. I know, nobody cares any more, but I need to finish this challenge.


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Part of my continuing challenge to write a 100-word drabble for each episode in season 10. This is for 10.23, Brother's Keeper.


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